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Following the Equator.

Mark Twain circles the globe on a lecture tour, notebook in hand, turning ocean crossings, colonial outposts and human folly into wry, watchful travel writing edged with anger.

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Edition details

Author
Mark Twain
Publisher
DotBooks
Format
Paperback
Paper
Standard white
Pages
705
Language
en

About this book


In middle age and deep in debt, Mark Twain set off around the world to lecture his way back to solvency, and the journey became one of his most searching books.

What it's about

Following the Equator records Twain's 1895-96 voyage across the Pacific and Indian oceans, through Australia, New Zealand, Ceylon, India and South Africa. It is a travelogue in the loosest sense, a loose-jointed chronicle of ships and harbours, hotels and crowds, animals and weather, threaded with the anecdotes and tall talk that were his stock in trade. India draws his fullest attention, its heat and colour and contradictions filling chapter after chapter. Each section opens with one of the mock-aphorisms of "Pudd'nhead Wilson's New Calendar," and their dry sting sets the tone for everything that follows.

Themes

Behind the comic surface runs a hardening conscience. Twain looks squarely at empire and at the treatment of the peoples the European powers governed, and his amusement keeps curdling into indignation. Race, cruelty and the self-deceptions of the so-called civilised nations are his recurring subjects, and he is unsparing about the greed that travels under the banner of progress. Yet the book never loses its human warmth or its delight in oddity and incident.

Why it still matters

This is Twain the anti-imperialist coming into focus, a writer using the tourist's licence to say hard things about power. Read now, it is both a vivid record of a vanished imperial world and a reminder that clear-eyed dissent has a long American lineage. The wit still lands, and the moral seriousness beneath it lands harder.

Who it's for

For readers of travel writing, for anyone who loves Twain's voice, and for those curious about how a great humorist turned his gaze on colonialism and did not flinch.

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